An enemy craft offers the chance of spare parts to fix her ship, but then she spots another survivor - an enemy alien soldier with no intention of letting her escape. After a devastating orbital space battle against an armada of unbeatable enemy ships, the survivor of a crashed star-fighter navigates the harsh surface of a planet to save herself before her life support expires.
Please let us know what's wrong so we can fix it ASAP. Directed by Marc Price. When the trainee pilot and her mortally wounded gunner are shot down, they crash land on a nearby planet.
Find out where to watch it online and stream Dune Drifter with a free trial today. Dune Drifter belongs to the following categories: Horror, Science Fiction. An enemy craft offers the chance of spare parts to fix her ship, but then she spots another survivor - an enemy … Frank Herbert's Children of Dune. Jodorowsky's Dune. Frank Herbert's Children of Dune. HD 83m. Dune Drifter - watch online: streaming, buy or rent.
Turn off light Favorite Comments Report. Looking to watch 'Dune Drifter' on your TV or mobile device at home? This site does not store any files on our server, we only linked to the media which is hosted on 3rd party services. Dune Drifter HD 3. When the trainee pilot and her gunner are shot down, they manage to crash land on a nearby planet.
Plus, the movie just can't support more than a single viewing anyway. HD m. Audience Reviews for Dune Drifter. Dune Drifter. Can you watch Dune Drifter with a streaming service? Mixtapes have been vital to hip-hop since the culture's earliest days, when DJs and artists circulated homemade compilation tapes throughout their neighborhoods. And with cassettes headed the way of the eight-track, today's mixes are mix-CDs and mix-downloads.
Hundreds of nationally circulated DJs release two or three mixes a month, and mixtapes far outnumber major-label releases. Far beyond the reach of SoundScan software, they're still sold on inner-city street corners and out of car trunks, and the internet has made their popularity even more incalculable.
The gray-market street network has become entangled with the corporate infrastructure, and the relationship between the hustlers and the suits is extremely ambivalent.
On one hand, record companies actively participate in the production of mixes and rely on them as a vital grassroots promotional medium. Since a recent high-profile bust, labels have issued gag orders regarding mixes, especially to employees like him, whose job involves coordinating mixtape appearances. Mick Boogie, I'd put him in the top five, definitely. And I just found out that a DJ is stealing my fuckin' music from my basement at my house in my studio. Releasing songs to mixtape DJs is cheap, effective market research; if a track goes viral and rises all the way to radio, it might sell at Best Buy.
On the other hand, mixtapes don't directly generate money for the major labels, despite the fact that executives seek out DJs and actively lobby them to include artists. By loaning their artists to mixtapes, labels have created a powerful group of independent tastemakers; some want more money, some want titles and power, and some want health benefits.
And despite increasing overall revenues, album sales are down, and labels want every penny they can get. So, sometimes, the left hand slaps the cuffs on the right and hits it with felony racketeering charges.
In January, the Recording Industry Association of America -- the industry's lobbying organization, the friendly boosters best known for suing downloaders -- made a big move to crucify the biggest name in the game. In its ongoing frenzy to keep the ailing music business operating under its current retail-reliant model, the RIAA directed police to the Atlanta recording studio of DJ Drama -- MTV's top mixtape DJ of the year, who secured a record deal on the strength of his Gangsta Grillz mixes, a series of street albums hosted by the artists they showcased, such as Lil Wayne and Young Jeezy.
Cops arrested Drama and his partner, detained 15 employees, and confiscated 81, CDs in the raid. Speaking to a local news crew, an RIAA agent described the unlicensed comps as "counterfeit CDs," either strategically or ignorantly using a term that refers to bootleg versions of official album releases.
Acting on behalf of the record industry, mixtape DJs risk incurring the wrath of the record industry. And DJs like Boogie -- a one-man operation who never has more than a small stack of any given mix handy -- are left in a tenuous position, suddenly glad they didn't have a better year.
While some DJs simply cobble together a comp full of singles, mixmasters like Boogie take a more creative -- and cautious -- approach to their business. They're co-signed ['hosted'] by the artists. Nobody has ever had a problem with the mixes.
Many artists have thanked me. In the mixtape game, a disc isn't considered a success until people start bootlegging it. That's all I can tell you. The opportunities that come from mixtapes are part of my actual cash flow, not the sale.
Mixtapes will be for branding purposes only. The DJ builds a brand. That's what it's all about. He hadn't released an all-new album for two years, and news of his upcoming mixtape, The Re-Up , had fans drooling. Word was that it would feature new cuts not just from Eminem, but also from multiplatinum cohorts 50 Cent and Obie Trice. The disc was initially intended for release strictly on the mixtape circuit, but Eminem and 50 Cent combined have moved an estimated 90 million albums.
As the holiday season approached, the buzz grew deafening, and fans clamored for some new product. Smelling a hit, Eminem's Shady Records and its corporate parent, Interscope, decided to upgrade the mix to an official retail release. They'd hype it via traditional means, then give it a big push through a newer form of promotion: To make sure the buzz was sufficiently loud, the mixtape would be the first in history to get its own mixtape.
Most singles include instrumental and vocals-only tracks; they're part of hip-hop's DNA. He matched music tracks with freestyles he'd dug up on the internet over the years. Shady Records handed over a couple prime cuts from the upcoming release. Eminem, producer the Alchemist, and other Shady affiliates recorded spoken intros for tracks, praising Boogie, hyping the new disc, and feigning indignation at Boogie's use of exclusive unreleased cuts.
Boogie wove in new background tracks from the Cleveland production team the Kickdrums and added old verses from established rappers including Dr. Then it was time to mix; all the rhymes had been recorded, all the tracks produced.
Creating the new cuts is just a matter of mixing sound files on a computer. The process is cheap. The skill is rare. Boogie did some alchemy of his own in his office studio in his downtown Cleveland apartment. None of the 18 rappers and producers came to Cleveland for the 32 tracks. But this is where the collaborations happen. Most of the artists wouldn't recognize him, though more and more of them know his name. Radio may be on the way out, but the DJ is still vital to rappers' careers.
Mixtape DJs help artists in a way that major labels can't. Mixtapes range from multi-artist compilations of hot singles to unofficial single-artist showcases called "street albums" -- mixes that are dense with uncleared samples, experimental cuts, and venomous dis tracks too slanderous for a major-label release.
In the always-hip culture of hip-hop, an MC's 15 minutes of fame can be close to literal; mixes keep your name out there while you're mired in a four-year legal fight out of a bad record deal. If not for mixtapes, 50 Cent and the Clipse might still be hustling or working on a loading dock.
The album-length virtual collaboration with Jay-Z and Nas was on the street just weeks after the two former rivals buried the hatchet. Hip-hop fans wondered what might have been if the icons had been friends all along; Boogie provided the answer. Boogie's specialty is the blend, a combination of verses from two different songs over a looped beat. Dead for a decade, Biggie Smalls regularly appears on Boogie's mixes.
The top tier of Boogie's apartment looks like a set from Friends. And even with signed platinum records and album art from the likes of Jay-Z and De La Soul, it's far from a typical studio. No six-foot mixing console, just a computer by a window. Here's where Boogie makes mixes, where he unwinds after a night spinning at a downtown club like Cloud 9, looking toward the Cleveland skyline, browsing ESPN.
Palming a navy BlackBerry, Boogie discusses the mixing business between a barrage of text messages, incoming e-mail, and buzzing cell phone. It's fun, but it's a small part of what I do. Nearly 20 years in hip-hop's thrall have left him with a lot of CDs and shoes. The name didn't stick long; family and friends always called him "Mickey. Talking business, he looks like an off-duty banker. Album Reviews Song Reviews.
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